Where: The Famous Spiegeltent
When: Wednesday, March 3, 2010 - 23:15
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The Bastard Children will be headin down the coast for The Apollo Bay Music Festival Friday 26th March - Sunday 28th March to perform a string of shows. Joined by the Bastard Horns, this should be a fine and raucous weekend by the seaside indeed. The lads will also be making a very special guest appearance as part of the themed concert 'Baystock' on the ABC tearing apart the Joe Cocker version of A Little Help From Me Friends. Tickets are on sale now through the website and selling like hot sea cakes!!!
http://www.apollobaymusicfestival.com/

The Bastard Children, High Tide & High Time
Now available for purchace online through through www.Musicplug.com.au
Sure, shoot it through via electronic post and we’ll throw it up on the site. We love to receive videos or pics from shows and stalkers so send em on in to info
cwq [dot] com [dot] au
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The Bastard Children present a ground-breaking new show at the Adelaide Fringe 2010 that
re-defines traditional storytelling through music. The Spiegeltent will play host to this world
first, where the audience choose the path of the story, making for a different show every night.
Beguiling audiences from Edinburgh to Melbourne and everywhere in between, the sordid, scandalous
and superbly attired Bastard Children present a musical story unlike any other.
Audiences are invited to choose their own misadventure - deciding what happens in a plot
TICKETS WILL SELL FAST....
Wed 3rd - Sat 6th March
11.15pm $15 (60 mins)
The Spiegelte nt
The Garden of Unearthly Delights
Rundle Park - East Terace, Adelaide,
Booking Details
1300 FRINGE (374 643)
www.adelaidefringe.com.au
or www.gardenofunearthlydelights.com.au
Or in person at The Garden
“this idiosyncratic quintet put on a show that not only provides excellent music at the forefront of new folk songwriting, but is absolutely great fun.”
“Their show is worth seeing for the touches of spirit and life in their performance...confident, uplifting, and intoxicating.”
"Pleasing contradictions abound. Slick and smooth one song, rough and jagged the next, delicate jazz-based instrumentals sit comfortably alongside hardcore blues. The tunes (all penned by Winterton) range from the jaunty and folksy to the melancholic, personal and political.”